May 2015

Like the previous post about Scorsese, this shot is staged with great originality and really bares the stamp of the director. Kim Novak's famous entrance in the film is so simple, restrained, elegant, and full of weight. The placement of

I really enjoy the work that Tony Zhou does with his Every Frame a Painting video essays.  They're informative, well considered and presented, insightful, and super educational for even the seasoned filmmaker.  Whether you've never thought of a particular idea before or