MIDNIGHT SUN (2011, Baumgartner)
Today's post is a simple example of what I talked about in my last Spielberg Raiders post, about tying visual beats together with a pan or a tilt. It also marks the very first shot of my own that I'm
LIVE FREE, DIE HARD (2007, Wiseman)
As you can see, I'm changing it up and going off the beaten path. Today's clip has a couple moments that are great examples of capturing exciting kinetic energy. I can imagine that this director, Len Wiseman, was a fan