THE SHINING (1980, Kubrick)
I can’t get enough of The Shining right now – Jack Nicholson and Shelley Duvall‘s kabuki performances included – so much so that today’s shot isn’t even from the movie. I wanted to make a case study of it, so I recently read the novel, then watched the movie twice, which then led me to the fascinating wiki article on the film (click above photo for that article). All in all, I have a whole new level of appreciation and understanding of the film, if one can actually have the latter. But it was a commercial for British television’s channel 4 that has my mind blown today.
From Vivian & Stanley Kubrick’s Camera
In researching The Shining on youtube, for today’s post, I happened upon this absolutely incredible tribute to the film, in the form of a :65 ad for Channel 4’s “Kubrick Season.” There is so much crazy, loving detail in this single oner that it’s almost hard to believe – complete with behind-the-scenes beats from Vivian Kubrick’s making-of documentary: recognize the ‘bowing man’ at :41 in video below? Check out Vivian’s documentary at 3:32!
According to this brief article on the making of the promo, “The spot, which was shot over two days at London’s Bray Studios, was filmed using a 25mm Cooke lens – a favourite of Kubrick’s.” So cool. Even more so because ‘favourite’ has a ‘u’ in it.
I tell you, I would totally redrum to see a making-of of this shot!
Tyler Poppe (@tylerpoppe)
Greatest week ever!
jsbfilm
Better than shark week?!
Brian
John – Great post man!
Wanted to tell you: Last time I watched The Shining, I realized something quite nutty:
It’s a comedy.
I know it sounds crazy, but watch it again with that in mind. I’m convinced Kubes is f*cking with us! I no joke.
Brian
jsbfilm
I had the same experience, Bri! That’s the only way to explain, for instance, the hilarious reaction shot of the doctor after Shelley Duvall tries to explain away her husband’s abuse, or the framed nudes in Scatman’s apartment. There’s no way SK didn’t know those were hilarious. Got me thinking, this is a comedy with scares, which is probably how horror works the best. Much like Chaplin was able to amp his tragedy and comedy by pairing the two, eg THE KID. But Kubrick’s is such a dry humor, that it’s easy to miss.
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